Religious motives and biblical scenes are among the most favorite subjects for artists of all times because they are full of mystical experiences and multicultural narratives. Christianity since its very beginning has been a religion based on iconical images. We can remember many great painters in the Middle Ages and in the Renaissance. But these were the times when most people were believers. Why do we thrill so deeply when we see these icons now?
5 May, 2022
Bräuche der Neuzeit" Solo Exhibition by ERIK ESAU
Religious motives and biblical scenes are among the most favorite subjects for artists of all times because they are full of mystical experiences and multicultural narratives. Christianity since its very beginning has been a religion based on iconical images. We can remember many great painters in the Middle Ages and in the Renaissance. But these were the times when most people were believers. Why do we thrill so deeply when we see these icons now?
The Shape of Color project is a kind of manifest of the unlimited possibilities of our perception.
Marina WitteMann, being a synesthete, feels the world a little deeper and more fully than the other persons, she sees in color the emotional states of surrounding people, vivid experiences, pain, anger and euphoria. That is why the works presented at the exhibition strive to break out of the framework of generally accepted art forms. That which had no volume, breaks through the two-dimensional space, color acquires shape, paper — texture, depth. Each work at the exhibition is an outspoken image formed through the prism of the artist's perception, through the fusion of several sensory levels at once.
8 April, 2022
"SHAPE OF COLOUR" solo exhibition by Marina WitteMann
The Shape of Color project is a kind of manifest of the unlimited possibilities of our perception.
Marina WitteMann, being a synesthete, feels the world a little deeper and more fully than the other persons, she sees in color the emotional states of surrounding people, vivid experiences, pain, anger and euphoria. That is why the works presented at the exhibition strive to break out of the framework of generally accepted art forms. That which had no volume, breaks through the two-dimensional space, color acquires shape, paper — texture, depth. Each work at the exhibition is an outspoken image formed through the prism of the artist's perception, through the fusion of several sensory levels at once.